Watching a film series in Sunday School that talks of the roots of America. One falacy that has been repeated over and over is that the framers of the constitution, the founding fathers, were mostly deists. It is true that both Benjamen Franklin and Thomas Jefferson but 95% of the 200 founding fathers were practicing, church going, praying, evangelizing Christians.
It matters because their has been a systematic re-telling of history to move us away from the faith of the founding fathers. It reached the point that when a judge had to decide if prayer at a graduation was constitutional are not he was confronted with the evidence of the founding fathers praying at graduations in their day. His conclusion was that they were hypocrits are they did not know the constitution (the one they signed).
Here is the article by Caroline Glick that gives me hope for the nation and for me Sparta.
Here are some quotes:
The media, the entertainment establishment, and the Education Ministry embraced and massively promoted plays, movies, television shows, songs, dances, art and books that “slayed sacred cows.” Everywhere you turned, post-Zionism was in. Post-Judaism was in. And Zionism and Judaism were both decidedly out.
In 1998, the government invested a fortune in marking Israel’s 50th Independence Day. The main official celebration was a massive affair called Jubilee Bells that took place at Teddy Stadium in Jerusalem. More than 2,000 performers participated. But rather than serve as an event that unified Israeli society in celebration of 50 years of sovereign freedom, the event exposed just how far Israel’s political and cultural elite were willing to go in attacking basic societal values.
The Bat Sheva Dance Troupe was scheduled to participate in the program and present a dance set to the traditional Passover song “Ehad mi yodea,” (Who knows one). The song contains 13 stanzas that praise God, praise Jewish law, and outline the Jewish life cycle. In the number Bat Sheva was scheduled to perform, the dancers come on stage dressed as ultra-Orthodox Jewish men and by the end of the song, all they are wearing is underwear.
The choreography enraged members of Netanyahu’s cabinet including education minister Yitzhak Levy. They insisted that the program shouldn’t contain material that insulted sectors of Israeli society. The organizers tried to forge a compromise. But the dancers chose to boycott the festival.
Israel’s cultural and media establishment expressed shock and horror at what they viewed as the government’s attempt to infringe on artistic freedom. The Association of Israeli Artists demanded that a public commission be formed to ensure that the government would be unable to interfere in artistic freedom in the future. Major cultural icons declared cultural war against religious Jews.
The question of whether the dance was appropriate for an official, state- financed celebration of Independence Day was never asked. So, too, no one asked whether a dance portraying ultra-Orthodox Jews moving sensuously to a traditional Jewish song while taking off their clothes reflected the values of society.
To understand the distance Israel has traveled since then, consider Tuesday night’s Memorial Day ceremony at Rabin Square in Tel Aviv. None of the performers attacked their fellow Israelis. And the best-received artist and song was Mosh Ben-Ari and his rendition of Psalm 121 – A Song of Ascent.
The psalm, which praises God as the eternal guardian of Israel, became the unofficial anthem of Operation Cast Lead in Gaza in 2008-2009. And Ben-Ari’s rendition of the song propelled the dreadlock bedecked, hoop earring wearing world music artist into super-stardom in Israel.